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The lute played a central role in the rich musical culture of the seventeenth-century 'Golden Age' of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of the Dutch paintings of the period. The second part of the book is dedicated to Constantijn Huygens (1596-1687), the well-known poet and statesman, and avid player of, and composer for, the lute. The third and final section deals with Dutch sources of lute music, printed as well as those in manuscript. Taken together, this volume provides a broad and many-layered overview of the lute in the seventeenth century. Collectively, the articles will further the reader's understanding of the lute in its social and cultural context, not only in the Netherlands, but also on the wider European canvas.
Lute --- Lyra (Musical instrument) --- Plucked instruments --- History. --- Conferences - Meetings --- Music --- anno 1600-1699 --- Netherlands
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"The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In 'Banjo Roots and Branches', Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, 'Banjo Roots and Branches' offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados."--
African Americans --- Lute --- Banjo --- Lyra (Musical instrument) --- Plucked instruments --- Music --- History and criticism. --- History.
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Lute --- Guitar --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- Lyra (Musical instrument) --- History.
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'Tanbur Long-Necked Lutes Along the Silk Road and beyond' explores the origin, history, construction, and playing techniques of tanbûrs, a musical instrument widely used over vast territories and over many centuries0The diffusion of the tanbur into musical cultures along the Silk Road resulted in a variety of instruments with two or more, occasionally doubled or tripled courses, and a varying number and variously tuned frets, each having its own characteristic sound, playing technique, and repertory. Since the last century, tanburs have spread beyond the Silk Road, and new versions continue to appear due to changing musical and tonal demands required from them. Similar or identical instruments are also known by other names, such as 'saz' or 'baglama', 'dotar' or 'dutar', 'setar', 'doembra', and 'dambura'. This book is divided into two main parts: 'The Tanbur Tradition' which discusses the origin, history, construction and playing techniques of tanburs; and 'The Tanbur Family' which focusses on the long-necked lutes of the tanbur, dotar, saz, setar, doembra, and dambura family of instruments. After a short introduction, the construction, playing technique, and musical traditions are briefly discussed. The book concludes with a glossary of musical instruments, discography, bibliography, illustration credits and index. --
Lute --- Ṭanbūr --- History. --- Ṭambūr --- Tanboor --- Tanbura (Lute) --- Musical instruments --- Saz --- Tambura (Fretted lute) --- Lyra (Musical instrument) --- Plucked instruments
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Guitar --- Mandolin --- Lute --- Guitare. --- Mandoline. --- Luth (Instrument de musique) --- Musique de guitare. --- Guitar. --- Lute. --- Mandolin. --- Mandoline --- Lyra (Musical instrument) --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela
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Lute --- Lute music --- Lutenists --- Musicology --- Luth --- Luth, Musique de --- Luthistes --- Musicologie --- Congresses. --- History --- Congresses --- Congrès --- Histoire --- Conferences - Meetings --- Congrès --- Lyra (Musical instrument) --- Plucked instruments --- Lute players --- Plucked instrument players --- 78.16 Paris --- 78.44.2.2
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Lute music --- Luth, Musique de --- Congresses --- Congrès --- Lute --- Lyra (Musical instrument) --- Lute. --- Renaissance --- Plucked instruments --- Conferences - Meetings --- Lutenists --- History and criticism --- 78.16 Neuilly-sur-Seine --- 78.16 Tours --- Congresses.
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Instruments a archets --- Strijkinstrumenten(Strijkstokken) --- Stringed instruments [Bowed] --- Bowed stringed instruments --- -Bowed instruments --- Bowed string instruments --- Bowed strings (Musical instruments) --- Fiddle --- Fretted instruments --- Instruments, Bowed string --- Lira (Musical instrument) --- Lyra (Musical instrument) --- Stringed instruments, Bowed --- Strings (Musical instruments) --- Viole da braccio --- Stringed instruments --- -Bowed stringed instruments --- Bowed instruments --- Musical instruments --- England --- 78.44.1.0 --- 78.79
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Vincenzo Galilei, père de l'astronome et mathématicien Galileo, est surtout connu aujourd'hui pour son activité au sein de la Cameratafiorentina, cette académie informelle qui joua un rôle décisif dans la promotion de la monodie accompagnée à la fin du XVIe siècle, étape indispensable à la naissance de l'opéra quelques années plus tard. Mais ce théoricien célèbre se souciait aussi de pratique : compositeur et luthiste accompli, il a laissé de nombreuses oeuvres musicales et un traité, Fronimo, qui propose à son lecteur une méthode permettant d'arranger la musique vocale sur un luth. Ce livre propose pour la première fois d'étudier en détail la conception que Galilei se fait de l'art instrumental de son temps, grâce à une comparaison rigoureuse et exhaustive des deux éditions de son traité, parues en 1568 et 1584. Abordant des domaines aussi variés que ceux de la théorie instrumentale, du contrepoint, du madrigal italien, de la vie musicale florentine ou des conceptions esthétiques de Galilei, il apporte un éclairage nouveau sur l'une des figures les plus importantes de l'histoire de la musique italienne de la fin de la Renaissance.
Contrapunt --- Contrepoint --- Counterpoint --- Tablature (Musical notation) --- Tablature (Notation musicale) --- Tabulatuur (Muzieknotatie) --- Music theory --- Music --- Musique --- Handbooks, manuals, etc --- Théorie --- Guides, manuels, etc --- Galilei, Vincenzo --- Théorie --- Musicology - 16th century - Italy. --- Lute --- Tablature (Music) --- Musical notation --- Intabulations --- Lyra (Musical instrument) --- Plucked instruments --- Polyphony --- Instruction and study --- Galilei, Vincenzo, --- Lute - Lute Instruction and study --- Counterpoint. --- Musicology - 18th century. --- Galilei, Vincenzo, - 1520-1591 --- Musicology
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Lute music --- Luth, Musique de --- History and criticism --- Histoire et critique --- Lute --- Music --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -History and criticism --- Lyra (Musical instrument) --- Plucked instruments --- 78.44.2.2 --- 78.44.9.4 --- History and criticism. --- Lute music - History and criticism --- Music - France - History and criticism
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